Alphabet City is not that different from the rest of Manhattan. But in Rogers Park right now, this incomparable musical has the kind of intensity born in renewed intimacy and birthed in a city moving forward, but also falling backward. The song may very well bring you to tears. He succeeds in having his Marc be both an outsider documenting things and a participant of those proceedings. He does this specifically in two points in the show. Their duets “I Should Tell You” and “Without You” are heartfelt and intimate despite the audience literally being inches away from them. At the end of the show, you actually care for him.
The relationships are equal and, to some extent, equally tragic. They play some more. But although Chuckie Benson is not your conventional Tom Collins, he slayed me in Act 2 with his reprise of “I’ll Cover You,” sung through a haze of tears. The show also features some fine ensemble work. As Benny, Marc and Roger’s ex-roommate trying to gentrify the block, Jaymes Osborne avoids the usual pitfalls too many actors make with the character. While the plot points have always existed, it is this mirrored, visual image of two couples in love that strikes me as being very apropos in a post-Obergefell v.
Weinstein’s show is a young, vital, carefully sculpted tho with a lot of uhique and is exceptionally rewarding. Haskins and Edmonds’ “The Tango Maureen” also ranks up there as one of the best performances of that number I have ever seen. Matt Edmonds perfectly captures film maker Mark’s loneliness as he moves to quickly capture a few fleeting images of the fading world that is his extended family and neighborhood. He studied playwriting at Michigan State University read more This was, by no means, an easy feat to accomplish by Theo Ubique.
Guidry manages to capture the fear of dying an undignified death alone. Broadway Shows Broadway Musicals. Opens At Drury Lane Theatre.
A winningly authentic ‘Rent’ at home in Theo Ubique’s storefront
It would seem that Weinstein’s production begs us not to take the current culture of our home for granted. Through May 1 planned extension cancelled Where: Alphabet City is not that different from the rest of Manhattan. In fact, there’s cash moment in “Rent” when we hear of Angel, the show’s moral conscience, discovering some intimidated tourists who have wandered down into the East Village in error.
A Chicago-based freelance writer, blogger, critic and singer.
Rent « Theo Ubique Cabaret Theatre
Fortunately, with just a few master strokes, Scott Weinstein makes this version feel fast timely and timeless. Inaba has made a rather interesting choice to include clothing featuring some iconic Marvel comic book images.
The interaction between the vast is priceless. The pop culture flare also continues through to Izumi Inaba’s costume designs which could best be summed up as ’90s grunge meets Roy Lichtenstein.
It is so respected here with a production not at all removed from its beginnings, in a city long ago and far away now.
It felt to me as if Larson, whose work I’ve admired with such fervor these past 20 years, was right there in the theater, still alive, still preaching and feeling, still reminding us all that there really is no day but today, however hard we might pretend otherwise.
Edmonds’ performance is the best uibque the night, and he has the lead role, so that works out very nicely. Jersey Boys Save on Tix! Misha Davenport is the chief critic for Broadway World Chicago. Edmonds keeps ubiqie grounded.
But it is a sacred text of the American musical ubkque, and it must be treated as such. Subscribe for unlimited digital access. RENT in the wrong director’s hands can feel very much a product of the s.
But it will be years before the rights ttheo that show become available to a storefront operation like Theo Ubique as terrific a job as they would surely do with it. Savannah Quinn Hoover as Mimi.
He is frustrated that his friends don’t share the vision of what he believes his neighborhood could be, yet still considers himself one of their friends. Chicago’s gritty but livable Rogers Park is a reasonable approximation of Alphabet City, the East Village neighborhood of New York wherein streets have single-letter names.
Time has not been kind to RENT, ravaging many of its plot points. But in Rogers Park right now, this incomparable musical has the kind of intensity born in renewed intimacy and birthed in a city moving forward, but also falling backward.
Thanks to medical advances, AIDS caat no longer the likely death sentence it once posed and the ‘s Bohemian version of New York’s Alphabet City that is its setting shares very little resemblance to that gentrified neighborhood of today.
They play some more. Nicole Michelle Haskins and Courtney Jonesas uptight lesbian lawyer JoAnne and free-spirited bisexual performance artist Maureen respectively, also manage to find rnt new territory to their characters in their duet “Take Me or Leave Me. Benny, the idealist turned landlord, proved victorious. He does this specifically in two points in the show. Photo by Adam Veness.