Andy Greenwald is a staff writer for Grantland. Watching a nation of mini Rusts dreaming up their own conspiracy-laden Carcosas these past few weeks has been electrifying, even though I was only ever a spectator. At least through the first half of the season, these present-day scenes are little more than extended monologues contained inside a claustrophobic interview room. It established the major themes in the first episode, and then played them in different keys. Is the mystery even going to get solved? But with Pizzolatto firmly in control of the series, there are no competing voices in the room loud enough to suggest he lower his own.

All that matters is the effect they have on Hart and Cohle. Without light to balance it, darkness is incapable of revealing any profound truths. Were you relieved that Ani got away? Landgraf was ahead of the curve on this, stockpiling limited series projects from the Coen brothers , Alexander Payne, and others. See all from Molly Lambert. Just watch the fireworks. Time may not heal all wounds, but it at least crusts them over into scabs.

Resisting Arrest

Next week, Tyrion faces the gallows. But the finale reduced all of those high-minded observations to production design: Even the ones that got away will never be the same. Where did these people eat? Men with names like Martin Hart and Rust Cohle, men who investigate murders and hit people with metal boxes. Look at how the main characters fall into the background over the course of the conversation: Seriously, nobody expected the Death Becomes Her ending.

There are no longer any women throwing themselves at Marty young, hot, or otherwiseand his ex-wife has long since walked out with the kids. See all from Andy Greenwald.

» ‘True Detective’ Finale: All We Have to Do Is Let Go

Rust, because he thinks man is born alone and dies alone, and Marty because he knows he deserves it. And what did we get? See all Hollywood Prospectus.


And he is a cop who takes an opportunity for personal revenge and a subsequent career of professional corruption.

» ‘True Detective,’ Season 2, Episode 6: ‘Church in Ruins’

But reca; frame is certainly nice. See all Hollywood Prospectus. Probably because the bottom is dropping out. See all Hollywood Prospectus. Edtective was an hour that made the series title seem like an ironic joke: But as much as I looked forward to the finale, I was already dreading getting cut off from the fizzy anticipation I felt each week while waiting for a new episode. Sustained anticipation is much of the thrill. October 29, Corporate Synergy: This is high-test auteurism, every scene an unfiltered episoed of an independent vision and point of view.

It starts giving new shape and meaning to the outside world. The majority of the action takes place inwhen Detectives Hart Woody Harrelson and Cohle 1 Matthew McConaughey investigate what appears to be a serial killing 2 amid the shrimp shacks and revivalist tents of southern Louisiana.

Both are at the top of their game, though McConaughey in particular seems to be playing a different sport altogether: Which brings us to our next point. Andy Greenwald is a staff writer for Grantland. It established the major themes in the first episode, and then played them in different keys. That failure, of course, is part of what initially made True Detective Season 2 so intriguing.

Four weeks of exposition, one week of misdirection, bottle episode, drug episodestakes-laying for the finale, penultimate episode the one with the big deathand season finale the one with the music montage.

Frankenstein, in this case, is played by Nic Pizzolatto, a crime-fiction writer turned screenwriter turned HBOteur. The job is to explicate, not illuminate. When some bits of information are guaranteed to be important later, every single bit of information feels like a potential clue.


In fact, it never really ended at all.

Death is not the end. Pizzolatto is going for broke — doubling the amount of central characters to four and widening the scope of his story. I have not read the books, and I have no intention to do so. All to nab a redhead who probably could have been grabbed another way?

As a treatise on modern masculinity, it was far from holding the pitch-black cynical view it originally seemed to endorse. As a concept, it feels extremely relevant to the age of binge-watching, when networks and showrunners are banking on our collective desire to lose hours of our fetective absorbed in something more exciting than real life.

This is a performance that transcends likability. But both men, while much chiller, are still pretty awful guys.

Deyective just answering the questions at all is bound to be disappointing. I demand an entire hour of the two of them trying to figure out the coffee maker, weighing baking soda for counterfeit coke, episod injecting each other with household spices. HBO The Anaheim station was bright and gleaming, unlike almost every other scene this season.

The Oldest Story Andy Greenwald: The truth is, television, like detective stories themselves, has always been about the journey.