The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she is still looked at as a body and judged as such. After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. Anis quickly turns his back on them and apologizes claiming that he did not see anything. After a while, a woman enters the house wearing a black jellaba and starts sobbing and moaning about how they did not wait for her to see the dead man and bid him farewell before his burial. Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive. To fight this, the minister urged political parties to choose female representatives in television programs.
Mounia quickly gets angry with him for talking about her sister that way. Youssef and Mounia Episode 1, He explains that he left his friends and came so as not to leave her alone in her ordeal and she replies by saying that her father is dead and thus she already is alone. Anis, then tries his last trick as he asks Dr. Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women. Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from doing anything that is against her feminist ideals.
Another woman interrupts by saying that if men without women are useless then the opposite is true as well. One stereotype that is strongly reinforced in this scene is that of women being always curious in their quest to discover hidden things and unveil family secrets even though it has only been a day since the death of the owner of those objects, namely the father.
Bnate lalla mnana 2m episode 22 – Film con clint eastwood e gene hackman
It is the newest one of the two as it was only aired in She breaks a vase saying that she will never accept it and walks into her episoode.
Hajj Bahi tries to fix things by saying that she is indeed one of a kind. Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from mnnana anything that is against her feminist ideals.
This series was selected to highlight the situation that women live under after the death of the father and how their mother becomes an alternative source of authority and oppression.
This goes to show how the series reinforces the idea of women bickering about unimportant children like episove which is clearly a misrepresentation of reality. They, then, resume their slogans and leave the ceremony.
Hajj Bahi pours tea for Rachid and claims that it has been made by Karima. Youssef and Mounia Episode 1, Ismail and Amina Episode 1, It appears that the people of the house were preparing for a special occasion.
After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Embedded in this scene is another stereotype which was previously talked about which is the animosity between mother in laws and wives.
Bnat Lalla Mennana épisodes 28 & 29 part – Vidéo dailymotion
Shocked, Rachid tells her that her father had not informed him of her pregnancy. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from bate egalitarian considerations.
Khalfi, an amendment in the audio-visual law that will ensure fighting all forms of sexism and discrimination against women in the media. Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. Episodd setting in the parliament.
She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature. Enter the email address you signed up with and we’ll email you a reset link.
During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly.
The study consisted of an analysis of advertisements, daily and weekly newspapers in all the languages, the two main television channels and the radio stations. Mounia, Karima and Hajj Bahi Episode 1, She then started to tell Rhimou how much she is fond of her out of all her sisters.
The way he leered at her showed a clear sexual interest or otherwise deep affection.
The latter accused Mennana of burying her son before she could see him one last time. Other services include IPTV which is offered by Maroc Telecom and a new service, digital terrestrial television which has recently began to be spread on the national level. Hanae smiles reluctantly and the camera moves to a toothless elderly man who was lying on the bed and overheard their conversation which made him laugh pleasantly.
Hajj blames Hssina, a servant, for not keeping an eye on Karima like he was told. In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure.
Bnate lalla mnana 2m episode 22
The first part of this paper provided an overview of the audiovisual situation of Morocco through proposing some statistics about the viewership of the Moroccan channels to stress the sheer impact that television has on the Moroccan population and that it reaches an important percentage of homes. Aicha pretends that one of the guests complained of hunger and thirst and that she was just came to the kitchen to fetch a glass of water.
The Hajj asks about the whereabouts of his two girls and the maid replies that Mounia is in her room while Karima is out.